The lure of the dark-side – anti-heroes and anti-heroines

I have to admit that I really enjoy a story with a well developed anti-hero. I’m not talking about the basically good guy who has had a string of bad luck or a tough life. I am talking about the true post-modernistic archetype: someone who can not easily be defined as a villain or hero. These are characters whose attraction hooks you and reels you in as strongly as they repulse you on some basic level. There is just something about these characters that fascinates me. Their complexity can lead a carefully crafted storyline down some totally unexpected twists and turns of the mind, but you have to admit – it can be an adventure. It is a character type that is well suited to both paranormal romance and stories dealing with espionage as well as sci-fi/fantasy literature: all genres that appeal to me as both a reader and a writer. In my own writing, I am finding myself including anti-heroes or rather heroines on a fairly regular basis, but something I discovered, which surprised me, was how difficult it is to create an anti-heroine.

These women characters exist. Consider Scarlett O’Hara, any number of roles that Angelina Jolie has played, and – my personal favorites – Nikita from the story La Femme Nikita and Murbella from Frank Herbert’s Dune series. The creation of an anti-heroine seems fraught with many of the same issues that confront women in real life, from business to social settings. A delicate balance must be struck between the characters “good” qualities and those that are less appealing.

So, how does one craft such a creature?

From my research into the female anti-hero, it appears that beauty or physical attractiveness alone is not enough to off-set the brutality, amoral behavior, or ruthlessness needed for a true anti-hero. It seems to take a combination of physical beauty, innate intelligence, and some sort of triggering event – but not the jaded, “world-weary” technique often seen in the male anti-hero – to set the stage for a believable, or rather acceptable, anti-heroine. If the balance isn’t achieved, one is left with a psychotic or clichéd character.

Whether or not I can create a true female anti-hero in my own writing remains to be seen, but I am going to have a lot of fun with the process.

Can you judge a book by its cover?

I was in the market for a bit of “mind candy” reading the other day and went to my local bookstore to see what might satisfy my literary sweet tooth. As I wandered through the different genre sections, I began to notice something about the books that actually made it into my small pile of “potential” purchases. Each and every one of them had fantastic cover art or photos. Convinced that I was being led astray by “glitz & glam” rather than a good story, I took a few moments to look beyond the book jacket or back cover teaser and read some pages from the first chapter as well as randomly selected pages from later portions of the books. Out of five possible purchases, only one book was returned to the shelf as a dud. For kicks and grins, since I had nowhere pressing to be, I picked up some books with really awful (as in boring) covers and checked out their teasers as well as random pages within. What I discovered was that book covers can provide some indication of what you can expect between the pages; with the exception of well-known, award-winning authors who can do anything they please in terms of covers and still expect a sale.

My grandmother was fond of the “you can’t judge a book by its cover” philosophy towards life but I think, noble sentiment that it is, it falls flat as a practice for a new author competing with the known for book sales. This is not to say that an intriguing book cover is about spending a huge amount of money on models, photo shoots, or buying art. It is about finding something that connects the reader instantly with the theme, and combined with the teaser draws them into a well written story. The three elements must balance because a slick cover and a “sexy” teaser may get the book to the cashier, but without a story to back it up, you won’t have anyone waiting for your next book.